TOO LITTLE WRITING.
Still struggling.
Unless you are one of those gifted chaps who churns out words with infuriating ease (and actually knows the derivation of every one of them), the thing about writing, or even rewriting, a book is that, from the outset, you have to be irrevocably obsessive.
That means you don't stop to make the tea, or help fold the duvet for ironing, or answer the door bell, or put the dustbins out/get the post in, or traipse out to buy a daily paper, or heed telephone calls from anybody (International what?), or spend hours tolerating tiresome twats on tele, or give a toss what needs to be done in the garden.
No! No!No!
It means you do commit yourself to eyes-down, key-tapping, sod-everybody, self-obsessed, prescribed-number-of-words-a-day, complete and utter lunacy.
When you've spent years giving way to the former, the latter comes extremely hard.
I am still struggling with the rewriting of The Badgers of Deep Wood (working title of a book for children aged nine to ninety nine), wrestling constantly with the opening of that too-long-imagined thriller and concurrently trying to turn out regular blog posts.
It's a self-inflicted struggle and, at my age, I should know better.
My rate of knots has diminished considerably over the years and I am currently writing as much as I can - which is far too little - in what time (and I do sometimes ponder) I may now have left.
And that's enough of the morbid stuff, thank you.
READING
The very readable.
Bearing in mind the rate of knots comment, there has been quite a lot of reading recently: this has come about because daughter Roz kindly handed me three more of her Terry Pratchett books to read and, the late Sir Tel being as readable as any writer has ever been or ever will be, I set about the task right away.
In quick succession I saw off The Truth (a wonderful Discworld evocation of a Fleet Street starting up in Ankh-Morpork) and The Amazing Maurice - and his Educated Rodents (which is clearly a book for children aged nine to ninety nine, so I loved it).
At the moment I am about fifty pages into Thief of Time, about which more when I have ticked to the end of it.
To add to my marathon, I re-read Graham Hurley's The Perfect Soldier.
A story fraught with landmines. Went to it for a reference and finished up reading right through it again; gripped by the wicked, beautifully written truth of it.
To the question I posed in Post 267 (What are the Americans, the British and the French doing in the Middle East?) this book provides the awful answer.
Encouraging those who profiteer off misery, that's what.
No point in seeking to stop it. It has gone way beyond that.
The Devil has the reins.
LONDON AGAIN.
Another calamity in the capital.
Apparently complaints had been lodged, concerns expressed, and warnings given for years, about the disaster waiting to happen at Grenfell Tower.
The sympathy of the entire nation goes out to all hurt by it.
It could and should have been prevented.
Now the Prime Minister says lessons will be learnt.
No they bloody won't. Not all the time we kowtow to corner-cutting councils they won't.
All for now.
Unless you are one of those gifted chaps who churns out words with infuriating ease (and actually knows the derivation of every one of them), the thing about writing, or even rewriting, a book is that, from the outset, you have to be irrevocably obsessive.
That means you don't stop to make the tea, or help fold the duvet for ironing, or answer the door bell, or put the dustbins out/get the post in, or traipse out to buy a daily paper, or heed telephone calls from anybody (International what?), or spend hours tolerating tiresome twats on tele, or give a toss what needs to be done in the garden.
No! No!No!
It means you do commit yourself to eyes-down, key-tapping, sod-everybody, self-obsessed, prescribed-number-of-words-a-day, complete and utter lunacy.
When you've spent years giving way to the former, the latter comes extremely hard.
I am still struggling with the rewriting of The Badgers of Deep Wood (working title of a book for children aged nine to ninety nine), wrestling constantly with the opening of that too-long-imagined thriller and concurrently trying to turn out regular blog posts.
It's a self-inflicted struggle and, at my age, I should know better.
My rate of knots has diminished considerably over the years and I am currently writing as much as I can - which is far too little - in what time (and I do sometimes ponder) I may now have left.
And that's enough of the morbid stuff, thank you.
READING
Bearing in mind the rate of knots comment, there has been quite a lot of reading recently: this has come about because daughter Roz kindly handed me three more of her Terry Pratchett books to read and, the late Sir Tel being as readable as any writer has ever been or ever will be, I set about the task right away.
In quick succession I saw off The Truth (a wonderful Discworld evocation of a Fleet Street starting up in Ankh-Morpork) and The Amazing Maurice - and his Educated Rodents (which is clearly a book for children aged nine to ninety nine, so I loved it).
To add to my marathon, I re-read Graham Hurley's The Perfect Soldier.
To the question I posed in Post 267 (What are the Americans, the British and the French doing in the Middle East?) this book provides the awful answer.
Encouraging those who profiteer off misery, that's what.
No point in seeking to stop it. It has gone way beyond that.
The Devil has the reins.
LONDON AGAIN.
Apparently complaints had been lodged, concerns expressed, and warnings given for years, about the disaster waiting to happen at Grenfell Tower.
The sympathy of the entire nation goes out to all hurt by it.
It could and should have been prevented.
Now the Prime Minister says lessons will be learnt.
No they bloody won't. Not all the time we kowtow to corner-cutting councils they won't.
All for now.
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